Posted on October 31st, 2011 at 4:59 PM by admin

Blog is the condensed name for a “weblog” or “web log”.

Blogging is the action you perform when you make a post to a web log or blog, comment on a previous blog post or maintain a blog. Many people who make posts to a blog on a regular basis are referred to as bloggers.

Basically, a blog is an online journal where you can post your thoughts, observations and comments about a particular topic that the weblog covers. A blog is just a simple web page that has chunks of information called posts added to them on a regular basis. Depending on how it was setup by the person maintaining the blog, the posts can be all on one page forcing visitors to scroll down, or each post will have its own individual web page. When you are blogging and visiting different blogs, you will see the most recent posts first at the top of the web page.

The Uses of Blogging

Online personal journals were some of the first blogs. Individuals used their computers and the technology of the internet to make entries into their journals rather than the traditional method of keeping a pen and paper journal. Blogs are primarily categorized as personal since many of them are online journals but today many blogs are used for a variety of purposes. Businesses are starting to use blogs as a way to provide information about their products and services. Politicians are using blogs to communicate with their constituents. Musicians and other entertainers are using blogging as a means to stay in touch with their fans as they tour. The list goes on.

Often, blogging is a way for you the individual to post a comment on a particular news item or subject such as politics, world or local news events, hobbies, entertainment etc. The topics covered in a blog are endless, and many times controversial and volatile. Sometimes one simple post can lead to a flood of additional comments and many have gone so far as to gain national attention by being mentioned in the news media.

Blogging Software and Services

Originally, blog posts are mostly text based. However, changes in internet technology and online services have given rise to other ways to make posts such as using video and audio (also known as podcasting). Now today a typical blog will have a combination of text, photos, video, and audio as well as links to other blogs and websites that are related to the topic of the blog.

Blogging has taken off and grown in popularity over the years. Now, a blog can be setup in a matter of minutes with little or no cost. There are varieties of hosting sites that will allow you to setup a blog free, and many web hosts now offer ways to quickly and easily install a variety of blogging software such as WordPress or MoveableType.

Along with quickly setting up a blog, many of the free online blogging services easily provide ways to allow you to make video and audio posts on your blog. They also offer other features such as password protecting your blog so you can keep your thoughts and feelings private, or allow only a select few in to view your blog. You are also able to pick the look or theme of your blog from literally thousands of different templates available; this is a great way to express your own individuality with your blog.

One of the most widely used free blogging services today is Blogger.com, which is owned by Google. In three easy steps, you can setup your very own blog and start expressing your thoughts and views to the world. After you setup your blog, you can make posts to it at any time day or night. The blogging services today are so easy to use and you do not need to have any technical knowledge of HTML or any other web coding language. In fact, if you can use a word processing program such as Notepad or MSWord, you can start blogging today.

How Blogging Benefits You

Blogging has been mostly been used for personal thoughts, professional observations, political rants, and entertainment reviews. However, there are so many more reasons to start blogging. One of the biggest benefits I have found is staying connected with my family and friends. I live on the west coast but grew up on the east coast. Through blogging, my family and I are able to stay connected and share things even though we live thousands of miles apart. We can share photos and post videos and audio files that let us remain a part of each other’s lives.

Through your blog, you can share with the world your thoughts about any topic you like. Having a blog is one of the easiest ways to stay in contact with others and communicate with others who have the same interests that you do. Everyone has something to say and wants to be heard when they say it. Blogging allows you to share your experiences, joys, laughter and pain. With a blog, you can find answers to your questions, learn new, exciting and wonderful things, comfort a friend or be comforted at times. Remember, the benefits that can come from having a blog are as wide and varied as the different topics that a blog can cover.

John Collins is a contributing author for Computer Internet Resources. Visit his blogging information [http://www.blogging.computerinternetresources.com] website to get more good information on internet blogging, its uses, applications and benefits.

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October 29

Waterless Cooking
Posted on October 29th, 2011 at 9:15 PM by admin

Have you heard of the waterless cooking method? It is a relatively new method of cooking that has many advantages. In the past, a lot of household cooking has involved cooking food with water. When cooked in water, however, a lot of the food’s nutritional value, not to mention the flavor, is taken away. Waterless cooking allows you to cook food in it own juices, retaining all the vitamins and minerals as well as most of the original flavor. There is no need to add water to foods (especially vegetables) because the natural moisture in the food is released and the steam created helps the cooking process. The steam is circulated throughout the pot and falls back into the food allowing it to stay moist and juicy.

So what are the advantages to waterless cooking? First of all, it is an easy way to cook. Many times you can use a one-pan cooking method so that all the food (meat, veggies and potatoes) is cooked together. This also allows for easier clean up with only one pan to wash up. And the new waterless cookware, with its superior heat distribution, tends to have less chance of food burning or sticking.

Waterless cooking also tends to cook food a lot faster. With the new waterless cookware available now the heat is evenly distributed along the bottom of the pot or pan. Because of this, there are no ‘hot-spots’ that may tend to burn your food. The lid of the pot forms a seal, which locks in the heat (as well as the moisture) so the cooking time is decreased.

As mentioned, waterless cooking is a healthy way to cook. None of the nutrients are lost during cooking, and you don’t need to add oil to stop the food from sticking to the pan, which also makes it healthier. The natural color and texture of the food is also retained which makes the food more appealing. Foods that are supposed to be crisp tend to keep their crunchy texture as well.

The features of waterless cookware that allow this cooking method to work include a flat bottom on the pots and pans which allow the most efficient means of heat transfer. The flat bottom connects with your stove element better, whether it be the coils of an electric stove or a gas unit, so that the heat transfer is more efficient. The cookware also has an iron core and an aluminum or copper base plate built into it that helps to retain a continuous, constant cooking temperature even after the heating element has been turned off.

Waterless cookware is typically made of high-grade stainless steel, which is better than other traditional pans in a couple of different ways. The stainless steel does not allow the taste of the metal to transfer to your food, as may be the case with aluminum or Teflon-coated cookware. Some companies use surgical stainless steel, which is the highest grade you can get for a real quality product. The stainless steel is easy to clean, durable (enabling it to last an extremely long time) and it allows you to keep your cookware sterilized.

One of the main features of waterless cookware is the special lid that keeps the natural moisture in the food from escaping. The lid forms a seal with the pot and lets the natural juices form into steam so the food cooks in its own natural juices, retaining all the nutrients and original flavors. There is a steam valve that whistles and tells you when you should turn off the heat (once the juices have created sufficient steam). In this way you save energy when cooking and the food is always cooked at a constant temperature.

Although it is referred to as waterless cooking, one thing you should do before cooking with this method is to rinse your food in water and then drain it before cooking. This ensures there will be enough water clinging to the food to create enough steam, mixed with foods natural juices, to cook it properly.

Cooking times with the waterless cooking method is generally a little less than traditional cooking times, depending on personal tastes for doneness. You should always cook your food at medium to low temperatures because the special waterless cookware construction allows the unit to conduct heat in the most efficient manner. You must also resist the urge to lift the lid during the cooking process as this will lengthen the cooking time and may even allow the food to dry out when the steam escapes.

The steam valve will tell you when you should turn off your stove element-when the correct temperature has been reached to allow the food to cook itself. When the steam valve whistles, turn off your stove, but do not lift the lid until the specified cooking time has elapsed-then you can open the lid and serve out your hot food. As a tip, put warm water into the unit after the food has been removed and let it sit while you eat so clean-up will be a snap afterwards.

Most recipes can be adapted (with a few alterations) to using the waterless cooking method as well. You will discover that old favorites will taste better and new recipes will be simple to master. The waterless cooking method is a new and healthier way to cook. It is more energy efficient, allows the food to retain its own juices, texture and color, and is an easy way to cook.

For more cooking articles, recipes, and cookware guides please visit my website at http://www.potsandpanscity.com/blog

Article Source:
http://EzineArticles.com/?expert=Richard_Greenlee

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Posted on October 28th, 2011 at 1:16 PM by admin

The single most important piece of equipment a tennis player will purchase is a tennis racket. With the wide variety of tennis racket brands, models, types, and specifications on the market, selecting a tennis racket can be a daunting task. Prospective tennis racket buyers should consider several important criteria. These criteria are brand, racket weight, racket length, grip size, balance, and head size.

Many tennis racket manufacturers produce multiple racket models with varying specifications. Popular brand name tennis rackets include Avery, Babolat, Dunlop, Fischer, Gamma, Head, Prince, ProKennex, Volkl, Wilson, and Yonex. Each racket manufacturer has its own unique characteristics and nuances that pervade their entire tennis racket line. You can consult your local tennis professional or tennis racket expert for advice on the brand of racket that is most likely to fit your needs. Ultimately, however, testing out different brands of tennis rackets is the best way to find the right match.

Weight is another important consideration when selecting a tennis racket. Most tennis rackets weigh between 8.5 and 12.5 ounces. In general, lighter rackets are easier to swing and players that lack strength (e.g., older players, children) will be able to swing lighter rackets faster, generating more power. The overall effect of tennis racket weight is somewhat ambiguous, however, as heavier rackets, while more difficult to swing, are more stable and transfer more force to the ball upon impact. Thus, when choosing a weight, comfort is the most important consideration. Typically, players that are more skilled prefer the stability and control offered by heavier rackets.

While the length of tennis rackets is fairly standard, many manufacturers have begun to offer longer rackets in recent years. The standard tennis racket length is 27 inches. While the rules of tennis allow rackets to measure up to 32 inches, most tennis rackets measure from 27 to 28 inches. The benefits of increased tennis racket length are increased reach and increased power. Longer tennis rackets can provide more power because the arc the racket travels during the swing is longer (especially on the serve). Players that are more skilled generally prefer the maneuverability of standard length rackets.

Because the grip is the tennis player’s link between the tennis racket and his or her body, grip comfort is of supreme importance. Tennis racket grips typically range from 4 inches to 4 7/8 inches in circumference. Most adult tennis players use grips between 4 1/4 inches and 4 5/8 inches. The easiest way to determine your grip size is to grip a tennis racket and place the index finger of your other hand in the space between your fingers and thumb/palm. If your index finger fits comfortably, the grip size is correct. If your index finger does not fit, the grip size is too small. If there is a large amount of space around your index finger, the grip size is too big. Selecting the proper grip size on your tennis racket is important not only for comfort and for performance, but also for injury prevention. Using a tennis racket with a grip that is too large or too small can lead to arm injuries.

Tennis rackets are also classified by the balance point or how the weight is distributed in relation to the head of the racket. The two balance classifications of tennis rackets are head heavy and head light. Head-heavy rackets provide more power because they place more of the tennis racket’s weight behind the ball on impact. Head-light rackets, on the other hand, provide more control because they are easier to swing and maneuver and absorb more of the ball’s energy on impact.

One final consideration when selecting a tennis racket is head size. Typically, tennis racket heads range in size from 85 to 135 square inches. In general, tennis rackets with larger heads provide more power while tennis rackets with smaller heads provide more control. Players that are more skilled generally prefer the control and maneuverability offered by midsize tennis rackets (85 to 95 square inches) and midplus tennis rackets (95 to 105 square inches). Older adults and those who lack strength and precise strokes may benefit from oversize tennis rackets (110+ square inches). Oversize tennis rackets can lead to sloppy strokes, and are therefore not recommended for junior players.

Tennis racket selection can be a daunting process. However, understanding the specifications discussed in this article, brand, racket weight, racket length, grip size, balance, and head size, will help simplify the tennis racket selection process.

For more information on tennis try visiting http://www.TennisQuestions.com, a website that specializes in providing tennis related tips, advice and resources to include information on the best tennis racket.

Article Source:
http://EzineArticles.com/?expert=Samantha_Kay

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Posted on October 23rd, 2011 at 9:22 AM by admin

It may seem strange to think that there is some question as to what constitutes a children’s book for many after all this would seem like a question with an obvious answer. A children’s book was after all created for children. However Huckleberry Finn by Mark Twain one of the books considered to be classical children’s literature was originally intended for adults and as indeed received some past censorship because of how interpret it was considered for children. The Grimm’s fairy tales also where written initially for adults, yet they where bought for children. This situation of children taking over what was supposed to be an book for adults has led to many problems. After all society then complains that the story was not appropriate for children, and so attacks to book. Further the book not being appropriate for children perhaps does cause some social problems. Yet we still seem to consider many such books as children’s literature.

Why is it books written for adults become children’s books? Or at least books read by children. Although it is perhaps impossible to state all the reasons for this situation, I would forward three theories on ways in which this can occur.

The first reason is that a book offers a fantastic reality, an imaginative story, children like such stories and so for whatever reason it is presumed that such imaginativeness is in the realm of children’s literature. This could for example be the case with Gulliver’s Travels and of course the Grimm’s Fairy Tales. In many ways I would argue it’s sad that if a story is fun and imaginative it is automatically pushed off into the realm of children. Not that children’s literature is lesser, indeed this imaginativeness has helped in many ways to make it superior to that created for adults. Rather it is sad that adults do not presume that such creative genius is worth more of their time.

Another reason which a book might become children’s literature is that it is about a child, for some reason a child character makes people automatically assume a child should read it, as if they are the only ones who can relate to a child. This is a ridiculous notion of course, we where all children and besides of which all such books where written by intelligent adults.

The final reason I will propose is that many books and works of art intended for adults become children’s as a means of expanding their reach or extending their life. This is why for example one will find the works of Jane Austen in the children’s literature section at the book store with a little charm.

This still does not answer the question of what is children’s literature. Part of the problem here may be that we have not yet truly defined the question, broad questions have broad answers. The question may be what should parents have their children read, or what should educators and those studying children’s literature study in order to learn about the impact of literature on children? In the case of the first question the answer is in regards to the parents beliefs and their kids reaction to things. If a parent does not believe their kid should be exposed to something then it does not constitute children’s literature for that kid. This definition of course makes the whole field of children’s books very difficult as there are so many differing views on what is acceptable for children to read.

However this problem would beg the question, is the purpose of the definition to help people study children’s literature or to help parents decide which books their kids can read? In the case of the purpose for study children’s literature would constitute all books which children regularly read. After all the purpose of study is to determine what is acceptable to read and what impact such readings have on children, as will as ways to make future books better. For this purpose to be effective all books which children read must be included.

Part of the difficulty of course with determining what constitutes children’s literature is that there is some debate as to what children are.

After all different cultures have at times believed many different things about children. However I would point out that this in and of itself is exactly the point, childhood is viewed as different by different cultures. It is then a cultural definition, one which our society can answer and change. Certainly it is difficult for people to accept this idea, and for many the idea that the culture determines someone’s role is tantamount to prejudice, however when it comes to defining a state and an impact we are indeed looking at cultural variables. One cannot for example assume that a picture book based on the Impressionist style, and with Swedish Motifs would have the same impact on Americans as it does Japanese or Swedes. It is culture which determines the role literature plays in our lives so it is through a cultures definitions of something that that thing should be defined. Further accepting one cultures definition of what defines children and not another’s is prejudice.

In American culture this definition of child has been constructed in a way as Minors to the age of 18, however not all of these ages are considered children per say, they are teenagers, pre-teens, Elementary, Preschool, Toddlers and more. However as a society we have defined these groups and so a wish to understand their demographic must begin with the societies definitions of them. Arguing that a culture is wrong is often a mute point, just as literature is a social construct many of the emotions and impact surrounding it are too.

Children’s literature then according to my definition and the definition which will be found throughout this site is literature which impacts directly through reading a fairly decent percentage of the population which is considered children by the culture it is from.

Or in the case of cross-cultural analysis such impacts will extend to ages determined by the culture with the oldest children or the largest definition of them. Why? Because in many cases especially historical ones children where considered adults fairly young, yet if we want to compare differences in impact between 8 year olds we must study both sets of 8 year olds. It is important to stress that this is not a means to push one cultures definition on another it is merely a research construct intended to help study literature, so that we can better understand its impact.

Ty Hulse has degree’s in art and psychology with both with a children’s and a cross-cultural focus. He is currently working to create the site Zeluna.net which discusses Children’s Literature and Picture Books, as will as Fairy Tales.

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Posted on October 22nd, 2011 at 9:10 AM by admin

Wall fish tanks give a dramatic and elegant look to any room. They can be mounted on a dividing wall so that they can be viewed from two rooms. Although they are more expensive than stand mounted fish tanks and harder to install you will be pleased you have made the effort and investment when you see how good they look and how much they are admired by your visitors. They can, however, be a harder to maintain than a regular fish tank as they are installed in a limited space which makes it slightly harder to access them for cleaning and other maintenance. Some now come with cabinets above or below the tank which can help make access easier.

Some of the newer wall fish tanks come as kits with all the accessories and mounting fixtures needed so that the filters, pump etc. are easily concealed. These are easy to install so you may not need a professional to do it for you. If you are unsure of your skills in this area, however, it is well worth paying someone to do the installation for you so that all you need to do then is to fill your fish tank and stock it.

One of the things you need to do before you hang a fish tank is to find out if there are any electrical wires or pipes in the wall where you intend to place it. You also need to find a load bearing wall and locate the wall studs. Fish tanks can be very heavy when filled with water so you need to be sure that the wall and studs can bear the weight. You also need to decide whether you are going to hang the fish tank or build it into the wall.

The next thing to do is to measure the area where you are going to place the fish tank and make sure you allow some space for accessories such as lights, pumps and filters. The pump can be placed some distance away from the fish tank, such as in another room, and water brought to the tank through pipes. Although this is extra work on installation it does have the advantage that you can pump a large amount of water through the tank, which allows you to keep more fish, and also keeps the noise of the pump away from the room. One of the problems with wall tanks is that they tend to be narrow so they have a smaller surface area than rectangular fish tanks. This means that unless you oxygenate the water very well you will not be able to keep so many fish in the tank.

If you’re going to use a professional carpenter or builder to install your fish tank talk to him before you buy the tank and make sure that he knows exactly what you need to be done. once your tank is installed it will need to be treated just like any other fish tank by cycling the tank before you add the fish. We recommend a fishless cycling method that is easy to do and does not cause distress to the fish. Once you have cycled tank you can start to add your fish and plants if you are using them.

A very dramatic effect can be achieved by making a saltwater tank with colorful saltwater fish and corals, but this is, perhaps a project for more experienced fish keeper. A wall fish tank, as we have said, makes an excellent focal point in your room and is sure to be admired by all your visitors.

For more information and some good deals on fish tanks visit Fish Tank Aquariums [http://www.bestfishtankaquariums.com/wall-fish-tanks/] or Wall Fish Tanks [http://www.bestfishtankaquariums.com/2009/04/11/installing-a-wall-fish-tank/]

Article Source:
http://EzineArticles.com/?expert=Janet_Ashby

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Posted on October 18th, 2011 at 4:59 AM by admin

In pursuance to the announcement of 100 days agenda of HRD of ministry by Hon’ble Human Resources development Minister, a New Policy on Distance Learning In Higher Education Sector was drafted.

BACKGROUND

1. In terms of Entry 66 of List 1 of the Seventh Schedule to the Constitution of India, Parliament is competent to make laws for the coordination and determination of standards in institutions for higher education for research, and scientific and technical institutions. Parliament has enacted laws for discharging this responsibility through: the University Grants Commission (UGC) for general Higher Education, the All India Council for Technical Education (AICTE) for Technical Education; and other Statutory bodies for other disciplines. As regards higher education, through the distance mode, Indira Gandhi National Open University (IGNOU) Act, 1985 was enacted with the following two prime objectives, among others: (a) To provide opportunities for higher education to a large segment of population, especially disadvantaged groups living in remote and rural areas, adults, housewives and working people; and (b) to encourage Open University and Distance Education Systems in the educational pattern of the country and to coordinate and determine the standards in such systems.

2. The history of distance learning or education through distance mode in India, goes way back when the universities started offering education through distance mode in the name of Correspondence Courses through their Directorate/School of Correspondence Education. In those days, the courses in humanities and/or in commerce were offered through correspondence and taken by those, who, owing to various reasons, including limited number of seats in regular courses, employability, problems of access to the institutions of higher learning etc., could not get themselves enrolled in the conventional `face-to-face’ mode `in-class’ programmes.

3. In the recent past, the demand for higher education has increased enormously throughout the country because of awareness about the significance of higher education, whereas the system of higher education could not accommodate this ever increasing demand.

4. Under the circumstances, a number of institutions including deemed universities, private universities, public (Government) universities and even other institutions, which are not empowered to award degrees, have started cashing on the situation by offering distance education programmes in a large number of disciplines, ranging from humanities to engineering and management etc., and at different levels (certificate to under-graduate and post-graduate degrees). There is always a danger that some of these institutions may become `degree mills’ offering sub- standard/poor quality education, consequently eroding the credibility of degrees and other qualifications awarded through the distance mode. This calls for a far higher degree of coordination among the concerned statutory authorities, primarily, UGC, AICTE and IGNOU and its authority – the Distance Education Council (DEC).

5. Government of India had clarified its position in respect of recognition of degrees, earned through the distance mode, for employment under it vide Gazette Notification No. 44 dated 1.3.1995.

6. Despite the risks referred to in para 4 above, the significance of distance education in providing quality education and training cannot be ignored. Distance Mode of education has an important role for:

(i)providing opportunity of learning to those, who do not have direct access to face to face teaching, working persons, house-wives etc.

(ii)providing opportunity to working professionals to update their knowledge, enabling them to switchover to new disciplines and professions and enhancing their qualifications for career advancement.

(iii)exploiting the potential of Information and Communication Technology (ICT) in the teaching and learning process; and

(iv)achieving the target of 15% of GER by the end of 11th Plan and 20% by the end of 12th five year Plan.

7. In order to discharge the Constitutional responsibility of determination and maintenance of the standards in Higher Education, by ensuring coordination among various statutory regulatory authorities as also to ensure the promotion of open and distance education system in the country to meet the aspirations of all cross-sections of people for higher education, the following policy in respect of distance learning is laid down:

(a) In order to ensure proper coordination in regulation of standards of higher education in different disciplines through various modes [i.e. face to face and distance] as also to ensure credibility of degrees/diploma and certificates awarded by Indian Universities and other Education Institutes, an apex body, namely, National Commission for Higher Education and Research shall be established in line with the recommendations of Prof. Yash Pal Committee/National Knowledge Commission. A Standing Committee on Open and Distance

Education of the said Commission, shall undertake the job of coordination, determination and maintenance of standards of education through the distance mode. Pending establishment of this body:

(i) Only those programmes, which do not involve extensive practical course work, shall be permissible through the distance mode.

(ii) Universities / institutions shall frame ordinances / regulations / rules, as the case may be, spelling out the outline of the programmes to be offered through the distance mode indicating the number of required credits, list of courses with assigned credits, reading references in addition to self learning material, hours of study, contact classes at study centres, assignments, examination and evaluation process, grading etc.

(iii) DEC of IGNOU shall only assess the competence of university/institute in respect of conducting distance education programmes by a team of experts, whose report shall be placed before the Council of DEC for consideration.

(iv) The approval shall be given only after consideration by Council of DEC and not by Chairperson, DEC. For the purpose, minimum number of mandatory meetings of DEC may be prescribed.

(v) AICTE would be directed under section 20 (1) of AICTE Act 1987 to ensure accreditation of the programmes in Computer Sciences, Information Technology and Management purposed to be offered by an institute/university through the distance mode, by National Board of Accreditation (NBA).

(vi) UGC and AICTE would be directed under section 20 (1) of their respective Acts to frame detailed regulations prescribing standards for various programmes/courses, offered through the distance mode under their mandate,

(vii) No university/institute, except the universities established by or under an Act of Parliament/State Legislature before 1985, shall offer any programme through the distance mode, henceforth, without approval from DEC and accreditation by NBA. However, the universities/institutions already offering programmes in Humanities, Commerce/Business/Social Sciences/Computer Sciences and Information Technology and Management, may be allowed to continue, subject to the condition to obtain fresh approval from DEC and accreditation from NBA within one year, failing which they shall have to discontinue the programme and the entire onus with respect to the academic career and financial losses of the students enrolled with them, shall be on such institutions/universities.

(viii) In light of observation of Apex Court, ex-post-facto approval granted by any authority for distance education shall not be honoured and granted henceforth. However, the universities established by or under an Act of education programmes in the streams of Humanities/Commerce/Social Sciences before the year 1991 shall be excluded from this policy.

(ix) The students who have been awarded degrees through distance mode by the universities without taking prior approval of DEC and other statutory bodies, shall be given one chance, provided they fulfil the requirement of minimum standards as prescribed by the UGC, AICTE or any other relevant Statutory Authority through Regulation, to appear in examinations in such papers as decided by the university designated to conduct the examination. If these students qualify in this examination, the university concerned shall issue a certificate. The degree along with the said qualifying certificate may be recognised for the purpose of employment/promotion under Central Government.

(x) A clarification shall be issued with reference to Gazette Notification No. 44 dated 1.3.1995 that it shall not be applicable on to the degrees/diplomas awarded by the universities established by or under an Act of Parliament or State Legislature before 1985, in the streams of Humanities/Commerce and Social Sciences.

(xi) The policy initiatives spelt out in succeeding paragraphs shall be equally applicable to institutions offering distance education/intending to offer distance education.

(b) All universities and institutions offering programmes through the distance mode shall need to have prior recognition/approval for offering such programmes and accreditation from designated competent authority, mandatorily in respect of the programmes offered by them. The violators of this shall be liable for appropriate penalty as prescribed by law. The universities/institutions offering education through distance mode and found involved in cheating of students/people by giving wrong/false information or wilfully suppressing the information shall also be dealt with strictly under the penal provisions of law.

(c) The universities / institutes shall have their own study centres for face to face counselling and removal of difficulties as also to seek other academic and administrative assistance. Franchising of distance education by any university, institutions whether public or private shall not be allowed.

(d ) The universities /institutions shall only offer such programmes through distance mode which are on offer on their campuses through conventional mode. In case of open universities, they shall necessarily have the required departments and faculties prior to offering relevant programmes through distance mode.

(e) It would be mandatory for all universities and education institutions offering distance education to use Information and Communication Technology (ICT) in delivery of their programmes, management of the student and university affairs through a web portal or any other such platform. The said platform shall invariably, display in public domain, the information about the statutory and other approvals along with other necessary information about the programmes on offer through distance mode, their accreditation and students enrolled, year- wise, etc. This may be linked to a national database, as and when created, to facilitate the stakeholders to take a view on the recognition of the degrees for the purpose of academic pursuit or employment with/under them.

(f) All universities/education institutions shall make optimal use of e-learning contents for delivery/offering their programmes through distance mode. They shall also be encouraged/required to adopt e-surveillance technology for conduct of clean, fair and transparent examinations.

(g) The focus of distance education shall be to provide opportunity of education to people at educationally disadvantaged situations such as living in remote and rural areas, adults with no or limited access to education of their choice etc.

(h) In order to promote flexible and need based learning, choice-based credit system shall be promoted and all ODE institutions shall be encouraged to adopt this system and evolve a mechanism for acceptance and transfer of credits of the courses successfully completed by students in face-to-face or distance mode. For the purpose, establishment of a credit bank may be considered. Similarly, conventional universities, offering face to face mode programmes shall be encouraged to accept the credits earned by the students through distance mode. A switch over from annual to semester system shall be essential.

(i) Convergence of the face-to-face mode teaching departments of conventional universities with their distance education directorates/correspondence course wings as also with open universities/institutions offering distance education, shall be impressed upon to bridge the gap in distance and conventional face-to-face mode of education.

(j) Reputed Foreign education providers well established, recognized and accredited by competent authority in their country and willing to offer their education programmes in India shall be allowed, subject to the fulfillment of the legal requirement of the country.

(k) A National Information and Communication Technology infrastructure for networking of ODE institutions shall be created under National Mission on Education through Information and Communication Technology.

(l) Efforts would be made to create favourable environment for research in Open and Distance Education (ODE) system by setting up infrastructure like e- libraries, digital data-base, online journals, holding regular workshops, seminars etc.

(m) Training and orientation programmes for educators and administrators in ODE system with focus on use of ICT and self-learning practice, shall be encouraged.

(n) ODE institutions shall be encouraged to take care the educational needs of learners with disabilities and senior citizens.

(o) An official notification clarifying the issue of recognition of academic qualification, earned through distance mode, for the purpose of employment, shall be issued.

(p) A mechanism shall be set up for evaluation of degrees of foreign universities for the purpose of academic pursuit as well as for employment under the Central Government. This may include the assessment of the credentials of the university concerned as also to test the competence of the degree holder, if needed.

Open education – http://openedu.entrancecorner.com/distance-education.html

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Posted on October 16th, 2011 at 5:06 AM by admin

When we have only one cat and she misses the litterbox, it can be hard to fix. When we have more than one cat in the house, it can be even harder. Here’s a step-by-step guide to help stop litterbox problems in a multi-cat home. first of all, act fast. A litterbox problem that continues for a long time can become harder and harder to solve. Litterbox mistakes can lead to territorial responses, and disturb the routines and hierarchies of your entire household. Will Muffin still want to take her daily afternoon snooze on the couch if Tiger urinated there? She may find some other area, displacing more and more of your cats, and creating fighting and other dominance displays. If you put off solving the problem, hoping it will go away on its own, you may find it multiplying in your home.

Find the culprit. Before you even try to determine the “why,” figure out the “who.” If you catch it early enough, you can hopefully nail it down to one cat. Many people like to isolate each cat to determine which cat is causing the problem, but displacing one cat, even overnight, can sometimes lead to dominance displays in the others, as they claim undefended territory. If you have new cats, or kittens reaching adulthood, you may want to visit the vet for help. Your veterinarian can prescribe fluorescein for your cats, helping you to determine which urine stain(s) glow under an ultraviolet light.

Rule out a Veterinary Problem. Veterinary causes underlie many litterbox problems, particularly in household with older cats or those with access to the outdoors. Urinary tract infections are one of many common causes, where the cat develops an aversion to the box as a painful place to be. Other health problems can also cause litterbox mistakes. Worse, without visiting the veterinarian, your other cats may be at risk, which could cause the problem to multiply. No behavior techniques in the world will help a cat with a veterinary problem, so don’t skip the trip to the vet.

Observe the Behavior. If the vet rules out a health problem, I next recommend a brief observation period. It’s always very frustrating to the owner to let the cat continue his litterbox mistakes, but it gives you the knowledge to attack the specific problem. During the observation period, try to concentrate on the things in the environment that may be important to your cat, like litterboxes, food bowls, favorite places, the routines of the other cats and people in the home, etc. Start a journal where you record as much information as you can about every litterbox mistake, then look for links. Does the cat always use the same room? Is it always on carpeting? Does it happen after meals, or at some other time of day? Are the other cats nearby? Did you have guests over? When you isolate the specific stimuli involved, it allows you greater control without making major changes in the environment that may upset the rest of the cats.

Break the Habit. Elimination sites are matters of preference, and when the cat gets into the routine of going to a certain location, you’ll need to prevent the behavior from recurring. Since the smell of declining urine is a signal for the cat to “reapply,” clean the accident site with a pet odor remover – perhaps multiple times to get past the cat’s sensitive nose. Block off the area while the product does its work. Remote deterrents, that work whether you are around or not, will keep the cat from returning to the area whenever you aren’t standing guard. Double-sided tape or an upside-down plastic carpet runner, pointy feet up, can keep your cat from standing in the same area. Cats also hate to be startled, so anything that can safely surprise the cat when he visits that area can help make the area less “cat-friendly.”

Make the current litterbox more appealing. While you are preventing bad habits, make good habits more appealing. The litterbox should be clean, have privacy, and in multi-cat homes, escapability is also important. This simply means that the cat can see off a distance, so he won’t be ambushed in the box, or on his way there. Most cats prefer clumping, non-perfumed litter, but work with your individual cat to determine whether a box of a different size, shape, or litter would help.

Retrain the cats. If it doesn’t seem to help to address the individual factors in your journal, or your cat has never regularly used the litterbox, you may want to retrain the cat by himself. Use this as a last resort, since removing the cat from the hierarchy may upset the routines of all the cats in the home. Keep the cat in a small, uncarpeted room, with a clean litterbox, food bowl, and toys in opposite corners. Pick up all rugs from the floor, so the only soft place to choose to eliminate will be the litterbox. Visit the cat often, and clean the box regularly. I also recommend recording the times that the cat uses the box. Many cats stick to a regular routine, so once you’ve determined when the cat is likely to use the box, you can let the cat out during low-risk times to maintain the hierarchy, and put him back in the room with the litterbox during high risk periods. Repetition of successful use will increase the cat’s preference to the box.

General stress reduction. In some situations, it’s difficult to determine specific environmental triggers for a problem behavior. However, sometimes general stress reduction techniques will prove helpful, particularly in multi-cat homes. For litterbox problems that have arisen from territorial disputes, additional resources may reduce competition for resources. Extra litterboxes and food bowls are always helpful, but remember that YOU are also an important resource, so give each cat as much attention as they could possibly want. Exercise can also help redirect cats energies. It can also help desensitize cats to each other, while they are praised for attacking a toy while the other cat watches. Routines are also very important in multi-cat homes, particularly when older cats are involved. Scheduled feeding, petting and exercise periods at the same time and location every day can further reduce stress that may be contributing to the litterbox problem.

Litterbox problems in multi-cat homes can be difficult. However, caring responsible owners can have an advantage solving the problem with they use quick, decisive actions and apply solid behavioral techniques.

Keith Londrie II is the Webmaster of [http://cat.about-animals.info] A website that specializes in providing information on cats [http://cat.about-animals.info] that you can research on the internet at your own pace. Please Visit [http://cat.about-animals.info] now!

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Posted on October 9th, 2011 at 1:18 PM by admin

Going out to eat is a favorite past time for most people. Whether it’s breakfast, lunch or dinner or all three, it’s an important form of American’s entertainment and socialization. You can go dining out with your family for a relaxing meal together. No one has to cook or clean up the dishes. It’s a time to spend with each other and enjoy good food and conversation. It allows you to re-connect with each other and find out about each other’s day. If you have kids, you should try to pick a restaurant that is kid-friendly and that has activities that are fun for the kids.

Kid-friendly restaurants can also be fun for the whole family. Dining out with kids can have different requirements. Most kids need some form of entertainment, especially young children. Many restaurants provide crayons and puzzles. Other kid-friendly restaurants have amusements and games, geared for several age groups, including adults. These types of restaurants are great for a child’s birthday party or a get together with out-of-town guests. They’re also great as a treat for a rainy day or good grades. Kid-friendly restaurants usually have kid-friendly menus, with dishes that include items like grilled cheese or pizza. These restaurants are family oriented and normally not a place you would take a date.

Dining out is also an important part of dating. You can choose an intimate restaurant for dinner, where you can concentrate on getting to know each other. Some restaurants include a dinner theater or entertainment and dancing. You might choose to have a quick lunch or drinks after work, to see if you enjoy the other person’s company. It creates less pressure on both parties and makes it easier to decline further offers. If you like each other, you can follow up by making plans to meet again. Maybe you could choose a movie, sporting event or dinner with friends.

Going out to eat with friends is another fun way to spend time together. Everyone has busy schedules, yet everyone has to eat. Dining out with your friends is a good way to stay close to them. You can take turns picking a restaurant. You can eat at your favorite pub, try a new ethnic spot or choose a five star restaurant, whatever you decide. Whether you get eat together weekly or less often, getting together with friends and sharing a meal together is the real treat.

For dining out guide, visit JP Pepperdine now.

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Posted on October 8th, 2011 at 5:08 AM by admin

The diesel engine has been around for a long time, now. Diesel engines can be found in everything from snowmobiles to the largest tractors on the road. The needed help to keep these diesel engines running in top performing condition is few and far between. If reading this article, you have no doubt, come to that same conclusion. The shape that our economy is in, this type of diesel engine help is a closely guarded secret. Still, the need is there for the knowledge to help diagnose and repair these strong, but delicate, diesel engines. Unless one has been trained at the factories in this field, a big bore engine can be as intimidating as the space shuttle.

Where then, does one go to find solid, reliable help with their engine problems? One place is the local Class 8 dealership. The bulk of large engine work is done at these multi-million dollar facilities. The technicians employed at this type of repair station are extremely knowledgeable in their field. All of the latest diagnostic equipment is located here, as well. But, the down side to this, is that all of this knowledge and time comes at a price. Another factor to consider is the wait time to get a truck inside of the shop to begin the diagnosis process. Time equals money, and when a truck sits idle, the loss of revenue quickly adds up.

There are other people knowledgeable in the field of diesel engine repair help, but are not employed by a big truck dealership. In the old days, these folks were referred to as shade tree mechanics. Although very good at what they do, the lack of proper diagnostic equipment limits them as to how far they can go with modern diesel engines. The way that the world turns now a days, means also, that this person has this business on the side of an already existing 40 hour per week job. The time needed to be paid attention for your truck, is limited at best. Although usually cheaper than a dealer, the time factor weighs in heavily. No time on the road moving freight is lost income for the driver or owner of that truck.

The question of the day is, where can I find precise big truck engine help that will not cost too much, and will help get my piece of equipment back on the road more quickly? With the advent of the internet, that question and more will be answered. Time is money, as they say, and a quick diesel engine help diagnostic question is just a few key strokes away. The world is ever changing and evolving, and a few forward thinkers are changing with it. Slowly, but surely, this type of diesel engine help will catch on, and the industry will be the better for it.

To keep up with this cutting edge technology, and speak with the best of the best for diesel engine help, please follow this link: [http://www.diesel-docs.com/]

Glenn is a go to work Dad doing his part for economic recovery for the nation.

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Posted on October 7th, 2011 at 9:16 AM by admin

Educating yourself to recognizing what editorial print modeling realistically “looks” like in a high fashion magazine is the first step to understanding the variations of the different types of editorial modeling and how it is different from the other more common types of “commercial” print modeling work. Editorial work in a magazine is a huge “jump-start” for a fashion model’s career. It is the experience many strive for.

“Editorial” print modeling refers to “magazine experience” for the model where a “story” is being told without words, but rather by photographic pictures (or groups of pictures) of the model in a high fashion magazine. This type of print modeling carries a very “prestigious” landmark on a model’s career. Its’ work includes the current fashion and beauty trends of society by showcasing designers, make-up, hairstyles, skin care, etc. as told and expressed via a pictorial story. Editorial modeling can even tell a story about all of the different aspects of people’s lifestyles. If you pick up any high-end fashion magazine you can find numerous examples of editorial print work.

Some editorials in magazines are considered so prestigious because they set the standards and trends for the current and “near future” of the market that the pictorial story is being told about. Refer back to those magazines that are from months, years, or even decades ago. Somehow, the editorial pictures you may find from that period of time have been a part of the history of fashion, beauty, or lifestyle as represented by that magazine’s staff.

Who thinks of the concepts of editorial stories in those elite high fashion magazines? There are teams of people all over the world who work for the various high-end magazines that have their input. These people write and create their concepts of what styles, models, designers, and trends are “IN” for any unknown given period of time. That makes them a very important part of the modeling industry. When glancing through those magazines you should note that an “editorial” is not an advertisement for any “specific” company, so if you see one specific product being advertised with its’ logo, then it’s an ad…that’s something different called a commercial print advertisement. If it “looks” editorial, but you see the company name in large print…it is meant to tell a story for that company’s image of what they want to sell to the consumer. High end fashion and beauty clients can place some creative, multi-page print ads into magazines that may mimic an editorial spread. The biggest difference is the rate that the model gets paid for doing a commercial, fashion ad for a high end client versus an editorial fashion spread for a magazine.

For the purposes of editorial modeling, pay close attention to how expressive, awkward, dramatic, artistic, and creative the poses of the model are versus the more refined poses you would see in a catalogue that emphasizes selling the clothes as #1. Remember, the editorial model promotes the story and concept via editorial pictures in magazines where the main emphasis is on the story or trends. In the magazine’s editorial (pictorial) spread there will be some sort of reference to names of designers and the cost of garments and/or accessories that are being featured, but it is not meant to act as a dedicated advertisement.

These magazine spreads get a lot of attention. Surprisingly, even though the editorial model is a strong statement in the “story”, it is only unfortunate for the model that this is NOT a high paying job (maybe only a few hundred dollars). This may be one of the only drawbacks of being an editorial model in the beginning. When you need the money probably the most (if you haven’t saved enough money to last you through this phase), this income doesn’t go very far in paying the high bills that go along with living and working in the “big city”. Most would expect models appearing in a famous high fashion magazine to be compensated well with money, but they are not because it’s not a paid advertisement by a client. It is a special feature created and presented by the magazine.

Apparently, from the fashion industry’s view, it’s the “prestigious” experience that has a lot of value to the model, so models have accepted this reality (whether or not it’s really fair). After all, when the magazine hires a model for an editorial spread they are hired to perform their service as a model representing the magazine’s concept and creative story…it’s a booking. It’s not a tax write-off for the model. The potential tear sheet may (or may not) bring more prestige and work for the model because truly it is not guaranteed no matter what anyone tries to offer as a reason to work for such less money. The magazines do play such a major role in the modeling and fashion industry that it’s a tough argument on the model’s behalf. The magazines rather monopolize on this fact, of course, so they will always find another model looking for their big break who will accept their terms. Could those famous fashion magazines afford to pay their featured editorial models more money? Only they know.

Remember this fact; everyone is replaceable in the modeling industry. It’s a harsh fact, yes. The ideal goal is to work and to adapt until you decide you don’t want to model anymore (before the industry decides you’re done). It doesn’t quite work that way because trends change, models age, and new-faced models pop up all over the place. There are more reasons, of course, but the fact that there will always be someone else to replace any model is why magazines do have that power to pay very low for their editorial placements.

Eventually, on the very positive side, it seems that the experience of editorial print modeling does lead to more money and prestige because of the increased exposure, tear sheets, and the demand for future bookings from clients who do pay more money (and that is pleasing). The editorial model is a standard of what the “beauty and fashion” message is for that moment in time, so everyone wants them. When an editorial story features that model, they are literally given a seal of approval as representing who and what is IN. So, moving on from the fact that it’s not even a little “high paying” job can lead the open-minded model to keep their business mind open, too. Consider the MANY, MANY “pros” to the model from the editorial experience. This part of their career rarely happens to a large percentage of aspiring models, so the #1 “pro” is that they are super-fortunate to even appear in and get tear sheets from a high fashion magazine.

Being realistic, there are many successful “commercial” print models that would have really loved to have been a high fashion editorial model, but they never had that opportunity. Once again, models are subject to other’s opinions and standards that control their career’s general success. There are things that models can do to increase their “editorial” skills and “look”, though, but there are just some models who will never get their chance at editorial modeling even though they may be uniquely beautiful, outwardly gorgeous, or even perfectly reach the standard sizes required of editorial models. It’s not easy to compete with the concept of “editorial” beauty, so your modeling career should be balanced if you strive for such a “prestigious” role. If the editorial modeling style is what you think you really want to do, you need to remember that those editorials may not pay your bills alone in itself, so that’s an area where a model should be well-rounded and versatile in many other types of modeling that can help supplement their income. There usually is no time for a busy fashion editorial model to have another job because a model has to be very flexible with their time for going on bookings, go-sees, fittings, etc. Establishing a back-up savings of money even in the early stages of a modeling career is crucial to hold you over as you build your career.

Things in the fashion industry can change quickly, so this can work toward your advantage if you are very close to starting your editorial modeling career, but the changes can be more harsh if you’ve already been established as an editorial model because many insiders within the industry will know you’re on the way down when the magazines stop booking you. That is the time to branch out to other modeling opportunities if you still want to work as a model. Editorial modeling is relatively for a very short period of time in most models’ careers, so the model that is fortunate to model as both an editorial and then a commercial model may see the long-term success in their career through the years.

If the opportunity for success happens, it is a wonderful landmark in the model’s career, so use it wisely. This is an opportunity to be positively recognized, so show your potential as being dependable, professional, and adaptable. Don’t blow the opportunity away by acting immature or childish. Being professional doesn’t mean being uptight and boring, either. There are interpersonal, social skills that need to be adapted for different occasions. The editorial model has contact with such a wide range of industry professionals that each has their unique role with diverse personalities.

REMINDER: Your life is your personal business, so be careful of what and how you communicate because first impressions are hard to change. For example, being late is very, very bad. Also, complaining can be annoying. Having a free-spirit can be youthful, but there is always a correct time and place to be a part of every party scene (and there are pros and cons to that which can make or break a model’s career if they don’t use any self-control appropriately in their lives.) Relationships do form with people over the span of a model’s career. Some people may be there for a very short time, but other relationships can last for years. It’s an industry of “acquaintances” that really have fewer “real” friends, but as long as you know your place and your role in the industry you can keep a better sense of who’s really there to help you. People tend to have motives that are self-orientated, so keep your eyes on people that can help you and be prepared to offer them the type of relationship that is okay with you, but not so they are taking advantage of you. This applies to relationships with other models, photographers, agents, clients, etc. There can be real friendships, and there can be golden opportunities made with the right people at the right time, but keep your “radar” on for people scamming or exploiting you.

The fashion industry is a fast, complicated institution full of many eccentric individuals. To please one individual may not be pleasing to another, while to please the RIGHT one may launch a young model’s career. There is an element of trend “followers” involved in responding to whatever the trend “setters” say is IN the moment, so the industry is truly guided by the elite, high fashion magazines. What does an editorial model look like? Back to the trends, this answer can have variations dependent upon the moment or particular designer. On average, an editorial model is not the standard, classic beauty that most people think of as being considered “pretty”. There are exceptions, but there must be something very unique and special that can make the model stand out. Often, editorial models have a somewhat quirky look that stands out as obviously unusual. Odd and exotic looks, very tall height, slim built bodies, and models who have the ability to be “chameleon-like” in their appearance are candidates for consideration as an editorial model. It sometimes is an odd personal experience for the model that felt awkward and different growing up and then they are placed in a unique position where they are made into fashion objects of beauty.

Editorial print pictures are artistic and expressive without words, but at the same time are meant to show the garments you are wearing, or whatever image the model is promoting in the best way possible. The poses are much different than catalogue, and the way the body is expressing the story requires a talent. Some may call the talent “acting”, and it’s a modeling skill that only emphasizes the importance of what every good model should possess. The skill of being a chameleon that can change to the mood of the moment easily is much easier to work with versus having the same looks over and over all of the time. When an editorial piece in a magazine is about showing an “edgy” look and a pretty model just wants to show how pretty she is…she has failed. She has failed herself, the photographers, the stylists, the designers, the magazines, and ultimately the consumer who sees this editorial pictorial story and gets the entirely wrong concept from her “pretty” picture. It’s not about how the model is supposed to feel about themselves, but rather doing the job that the model is booked for…a.k.a. whatever the client wants the model to portray (for instance, a.k.a. “edgy looking” model or “retro looking”, etc.). The model should always have a mental note in their mind of the “concept” that the client wants to see and bring it out in front of the camera (or on the runway). Editorial jobs are for the top potential models. If a model feels ugly or weird in what they are modeling for a magazine editorial, they must dig deep and find a way to make the concept exciting or very interesting to match the conceptual idea of what they are modeling.

One job leads to another very quickly when the models start doing editorials, but remember that this stage may not last very long. Enjoy the adventure and any perks because they just don’t happen for most models in their careers. There are so many people all over the world who dream the same dream of being a famous model and their fantasy never gets fulfilled to what they expected. So, when the elite opportunity arrives you should be aware of how fortunate you may be considered in the eyes of other models that may not have “walked in your shoes”.

For any given number of reasons, modeling is not always a highly successful occupation even for the talented person. The work is not always glamorous, either, even though the finished product in a magazine or couture fashion show may appear that way. On a positive note, models can be exposed to some small and very large perks, too. Perks are based on what you may each consider above and beyond what you actually earn in money as an extra bonus that’s not measured on your income tax statement (such as meeting celebrities, attending parties, etc). Your booking rate can increase with the more you become in demand, too. When a model is seen doing editorial spreads in different magazines…they are becoming in demand! Even though the “editorial” rate is low, this popularity branches out into a variety of other options for the model’s career that makes them very, very busy as a professional, working model.

Editorial modeling in a high fashion magazine is a PRIME booking for a model that is serious about having a career in modeling. It is not the type of assignment that you can get in most U.S. cities. New York City is the fashion capital of the United States and it is where the opportunities are for high fashion editorial work. There are other cities internationally that have a lot of editorial work, too, so a model’s willingness and financial ability to relocate and travel is a “must” in order to increase their chances in appearing in any magazine spreads. Not all American models start their high fashion careers in New York City. Many obviously want to, but few get the right opportunity. Agents may recommend that they gain more experience and exposure overseas where there are many magazines and opportunities that may help their career get better established before they venture around New York City. (We’ll discuss more about international modeling, later.)

It takes a special type of model (physically & mentally) to get a grasp on what is required of them in this type of specialty. Rejection is a big part of this career as common as the many, unfulfilled dreams. A model must cope with the reality that they are always being critiqued by many others. For the individuals who have been “good-looking” and socially accepted their entire life, it sometimes is very hard to deal with rejection based upon their “looks”. It’s not easy to take personal criticism, but the better you are at preparing for the worst comments, the better you may be at not being caught off guard. Letting it ruin your day is much better than ruining your career and self-esteem because you will need to have confidence in your skills as a model.

Your personality should adapt as you see more of the modeling industry as an insider. It may sometimes feel as if you are using every bit of your patience and self control in not trying to stick up for yourself to the many different people who may drive you crazy, but always remember what will be best for your success as a model in the long run. Don’t lose control nor lose focus of what your job is as a model and who you represent regarding the client and your modeling agency. Anything that you experience as a model that is unpleasant is usually nothing new to most other models that have worked for a little while, so hang in there and do your best to cope because there will many other models who will not be able to take the heat and drop out of modeling as quickly as they began their dream. It may sometimes be lonely or scary when you’re far away from family and friends, so you may quickly assume more independence without their support over time.

You’ll be facing issues in a modeling career that other people your age may not encounter in their job description such as nudity. In high fashion, there’s no room for too much modesty, either, because the model’s body is stripped down, dressed up, and stripped down again from client to client and garment to garment as part of the fashion business as a live mannequin (a.k.a. models). Your face and your body are part of the package used to promote the fashion story on the runway or in magazines (versus nudity for pornography). There’s a fine line between what is “accepted” in fashion that uses partial nudity versus that what the model is “expected” to portray intimately for pornography. Fine art using nude models or a revealing high fashion designer’s haute couture versus modeling nude on a website or in a pornographic magazine have different standards and is viewed by the industry as such, so be aware from the very beginning of what you are comfortable with.

Often, it’s not just modesty that is sacrificed in a model’s career that causes their parents to be on guard. Models may be placed in many scenarios that they are not familiar with and they need to trust that they are safe when they feel vulnerable. This is where the high fashion model’s agency is the key to managing its’ clients and models. Models change in front of each other and clients sometimes, wear provocative garments, and sometimes are told to act sensually with others (male and female) in front of the camera and on the runway. This is a part of high fashion editorial modeling, too, where modesty can hinder the model’s ability to perform and get the final results.

It appears that when you add in the actual physical requirements of the editorial model you may see the numbers dwindle down to who actually gets an opportunity and succeeds as an editorial model. The female editorial model is anywhere in her teenage years aged 14-19 (on average) and is very, very thin (size 0-2…maybe size 4, depending on trends) and very tall (5’9 -6’0″). She won’t have very large breasts (under 34 C-cup), nor body piercings and tattoos. (*unless approved special circumstances). Add to her body’s physical requirements a “uniquely” beautiful face with interesting features and the average number of qualified females dwindles down even further. Remember, sometimes it’s not a typically “pretty” girl who photographs like a strong, chameleon-like, editorial model…sometimes a “pretty face” just photographs as a “pretty face” and that’s not always interesting in the fashion world.

The standards for male models are somewhat similar, but their age is older (average 18-25) and their height should be 6’0″ wearing a size 40 suit with approximately a 34 inch inseam. The male models should be lean, cut, and fit versus having too many bulging muscles that don’t fit in his clothes. He, too, must be where the editorial work is either in the U.S. or internationally. The male model may face his own obstacles when faced with what is expected of him, but there are many shared basics of modeling between female and male models relating to the industry and facing rejection.

A.K.A. Models is a new online industry trade magazine for models, photographers, designers, stylists, agencies, MUA’s, and anyone that seeks to research or contribute to the modeling industry.

Currently featuring FREE on-line tips, information, and opportunities for individuals that are interested in having a career in the modeling industry.

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Posted on October 6th, 2011 at 9:00 PM by admin

There are literally hundreds of species of fish that can thrive in a freshwater fish tank. The type of fish and the quantity will be up to you and what you are looking to accomplish with the tank. Anyone knows that there are a lot of fish that will not live in freshwater tanks and should be avoided.

There are many sorts of fish that can add to your freshwater fish tank. Many of these fish are very brightly colored and some can be very costly. An employee at a pet or fish store will help you in deciding which fish to buy. Goldfish and guppies are popular choices but you could choose to get a little fancier. Betas or African Cichlids are more rare species but will add much needed color and value to your freshwater fish tank. It is common belief that it is not healthy to the fish to overcrowd your tank.

Experts say that the proper rule is to have one fish for every 4 gallons of water your tank holds. This will give each fish the proper room needed for swimming and allow them to feel like they have their own territory. Some species of fish can be fairly aggressive and this will relieve them of some of the pressure to assert themselves on the other fish. No matter what type of fish you choose, you should be able to fill your fish with the color or variety you are looking for.

Most people know that tropical or saltwater fish should not be placed in a freshwater tank. These fish require different things in order to thrive. If you are uncertain as to what kind of water a fish needs, consult a fish store employee or research the fish’s online. This will keep you from wasting your money on species that are not going to do well in your freshwater fish tank.

Choose your fish wisely, and you should be able to fill your tank with the freshwater fish you want. Make certain you only get enough fish to give them the room they need and in no way put tropical or saltwater fish into your freshwater fish tank.

For more information about Freshwater Fish Tanks, feel free to visit us at: http://www.fish-tanks-land.com/article-8-Freshwater-Fish-Tanks.html

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Posted on October 6th, 2011 at 1:23 PM by admin

Most die hard avid fans of celebrities no doubt collect memorabilia from the various works that the celebrity has taken part in. This is very true when it comes to celebrity’s who are involved in film or the music industry. Most avid collectors will generally focus their celebrity based collection on one or a handful of celebrities. They will then work their hardest to collect as much memorabilia on this specific celebrity or group.

For most collectors, they will no doubt want to purchase and or obtain autographed celebrity photos for their collection. Obtaining an autographed photo of your favorite celebrity is no doubt the crowning achievement to any collectors collection. Finding an actual photo with a legitimate and actual autograph of the celebrity in question brings more life to the collection. This is due to the fact that now you own an item that has actually been touched and looked upon by the celebrity you own a collection of.

There are many methods and routes that a collector can take in order to purchase a autographed celebrity photo. To begin with, a collector can visit the website of the celebrity they are hoping to obtain a autographed photo of. They can generally find when and where memorabilia auctions pertaining to their specific celebrity will be held, just by visiting their website.

In fact, many celebrity based websites actually conduct auctions on a monthly basis wherein they will auction off a specific number of autographed celebrity photos of the individual the website is promoting. These autographed photos are usually endorsed by the celebrity and are proven to be authentic. Each photo will be accompanied with a certificate of authentication along with a guarantee that the actual celebrity in question signed the autograph themselves.

Another method that many collectors use to obtain autographed celebrity photos, is to visit local or out of state celebrity memorabilia stores. These stores specialize in celebrity memorabilia and generally carry autographed celebrity photos. They also take the time to make sure that all the photos they sell are one hundred percent legitimate and test them for authentication.

However, at times you will run into crooked owners who state that an autographed celebrity photo in their store is authentic when in fact it isn’t. Make sure to do your homework and investigate any location you are considering buying an autographed celebrity photograph from. You will want to contact the Better Business Bureau and make sure that they have a good reputation. Also, ask them questions to see what process they took to make sure that the item in question is authentic. If they used a authentication service, be sure to investigate and check them out as well, to make sure that you are getting what you are looking for.

A final method in purchasing autographed celebrity photos is to look into private sellers who are parting ways with pieces in their own collections. These sellers can generally be found on the Internet and can generally be found on celebrity websites. However, as with every method that you can use to purchase autographed celebrity photos, be sure to check the product for authenticity before committing to a purchase.

Victor Epand is an expert consultant for autographed celebrity photos, celebrity collectibles, and autographed art. You will find it all at these sites for purchasing autographed celebrity photos, celebrity collectibles.

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Posted on October 4th, 2011 at 5:10 PM by admin

Buying a car, new or used, is a serious purchase. Unfortunately, most people go to the car dealership thinking they have to pay the full sticker price of the car, not realizing there are many ways to get more bang for your buck. When you’re trying to get your best deal on your next vehicle, it’s also important to know how the dealers make their money on each car sale.

1) Find out the value of the car.

Do your homework and research your car choices before attending a new car sale or purchasing a used car. You’ll want to know the true value of the car you wish to buy as well as the value of your current car if you wish to trade it in.

Check out the car maker’s website to research the factory list price for the model of car you’re interested in. For example, Ford’s website (ford.com/) offers an online vehicle showroom where you can choose your next new car and pick the price range.

Go to several different dealers and research different deals on the same car before purchasing it. A lot of dealers’ prices will differ on the same make and model. Check out the wealth of information on carsguide.news.com.au which offers price comparisons on your new or used car as well as tips to help you when you purchase.

The Red Book (redbookasiapacific.com/au/) is an excellent resource to see how much a used or new car is worth. Car dealers make money by marking up the price, as do private sales. Knowing that a car is unfairly priced will help you to save hundreds, if not thousands of dollars.

2) Get the proper financing.

Car dealers can make a bundle of money selling you more car than you can afford by offering you financing for a longer period of time. You can also expect to pay more for lease options if you’re not careful. Banks and finance companies typically offer a lower interest rate than car dealerships. You can also look into financing from the manufacturer of the car for sale-you’ll pay much less in interest than on a loan from the dealer.

Banks take longer to grant approval than finance companies, which can often approve your loan online in minutes.

Never pay for a new or used car on a credit card, as you’ll be paying lots more in interest rates. One of the very best tactics is to get pre-approved for the purchase of a used or new car at a financing institution before you go car shopping. When you’re shopping, don’t tell the car sales associate. A lot of times the car dealer will cut the price of your car, thinking they’ll make money on the financing later. When they realize you already have financing it will be too late to take back the deal on the price.

3) Buy at the right time of the month.

Most car salesmen work on commission and get incentives for selling the most cars. By the end of the month they know if they need to up their sales and they’ll be more persuasive and aggressive to get that one last sale. However, you can use this need to sell to your advantage.

Visit a car dealership at the beginning or first of the month for an initial visit, but not to buy. This takes some of the pressure off because the salesmen aren’t going to be as persuasive to have you purchase something you can’t afford or don’t want.

Visit several car dealerships to inspect the assorted car sales and take plenty of notes. Then return to the car dealership of your choice at the end of the month when dealers are eager to make a quick car sale. Chances are you’ll get a great deal on a fantastic new or used car.

4) Skip the extended warranty and extras.

You don’t need an extended warranty, though the salesman will make you worry and fret until you shell out the extra money to pay for the warranty. Most of the time, if you care for your car properly and maintain it according to the factory specifications you won’t need an extended warranty.

If you really think you should purchase one, wait as long as possible. Most companies allow you to wait until you’re close to the end of your regular warranty to purchase one. By then you’ll know how much maintenance your vehicle needs. If it’s a lemon by nature then an extended warranty might be a good idea in the long run.

You don’t need most of the extras offered, like rust-proofing, paint protection, tinted windows and life insurance. Educate yourself about what you need and what you don’t to keep from paying unnecessary charges.

Verify how much you’re paying for hidden charges such as shipping and preparation charges. Most of the time you can negotiate these charges down in your car sale.

5) Consider Used vs. New

New cars depreciate quickly the first two years of ownership. In fact, expect your $20,000 new car to cost you almost $7,000 in depreciation and interest rates alone (with a 6.9% loan) during that time. When you buy a used car the original owner has already absorbed the depreciation costs, leaving you with a good car that’s worth every penny.

However, the car sale market may be so slow that good deals can be had when buying a new car over a used car. It’s essential to be aware of how much car you can afford to buy and to guard against getting suckered into buying more car than you can afford.

Used Car Purchase Tips:

The uncertainty about a cars history – whether it’s been well taken care of or possibly damaged by an accident – can make some people leery about buying a used car. When buying used, it’s important to look for a car that has been properly maintained and an owner who has the records to prove it.

When buying used consider forgoing the financing and instead buy outright. Car dealers tend to try to make money through the financing angle when selling a used car. Opting to pay for it in full puts money in your pocket.

Don’t be afraid of high mileage. A car driven by Grandma on weekends could actually have more problems because an idle car usually has problems associated with sitting around, such as plugged lines or rusty breaks. Consider spending the money to get a vehicle inspection from a reputable garage if you’re unsure about purchasing a used vehicle.

Want to save money when buying a used or new car? Whenever you’re car shopping in Australia, you should make Start Local your first stop. Start Local is Australia’s fastest growing local search engine and business directory. Find the most comprehensive information about new and used car sales at => http://www.startlocal.com.au/auto/newcars/.

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Posted on October 3rd, 2011 at 9:23 PM by admin

Are you looking to rent sports cars? Do you know that there are several options to get into a sports vehicle. Now you can discover what you need to get into a sports car. Join me as we take a look.

There are several ways to get into a sports car. Here they are, and then we will get into detail:

* Buying A Sports Car

* Joint Ownership

* Renting Sports Cars

* Buying A Sports Car

Buying a sports vehicle is the first option. This can be a great idea, especially if you can afford it. Afford it, the next option is to get a kit car. These are great ways to get into a great looking sports car for much cheaper!

For many though buying a sports vehicle is the best. One option if you don’t have all the cash in one go, is to buy on finance. A car loan is a great way to get the car you want.

* Joint Ownership

Another option is joint ownership. This can be a great idea especially if you are flexible. If you need the car today, it might be a problem!

What group ownership is, is that it allows several people to own the car. The result is that the group decides when they need the car, and each has the car equally throughout the time of owning the car.

This can be a great way to get a sports vehicle and not have to worry about if you can come up with the entire cost. For some it means getting into a top sports car easily, though this can be a problem, especially if you all want the car on the same dates!

* Renting Sports Cars

What is the other option? Rent a sports car! Renting is always great because you don’t have to worry about buying and you don’t have to worry about having to make sure the car is available when you need it. Renting allows you to get into the car, and if one place hasn’t got it, somewhere else has.

For a minimal fee, you can be in the front seat of the latest and greatest. Many people choose this option.

To find the latest and greatest sports cars for rental check out sports car rental and rent exotic cars and find them at the most amazing and affordable prices!

Article Source:
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